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| 音楽における調和解析× | 音楽セグメンテーション× | |
|---|---|---|
| 分野 | 音楽情報検索 | 音楽情報検索 |
| 系統 | Machine learning | Machine learning |
| 提唱年≠ | 2002 | 2001 |
| 提唱者≠ | Bryan Pardo | Masataka Goto |
| 種類≠ | Harmonic function and progression analysis | Audio structural analysis |
| 原典≠ | Pardo, B., & Birmingham, W. P. (2002). Algorithms for chordal analysis. Computer Music Journal, 26(4), 27-49. DOI ↗ | Goto, M., & Hasegawa, Y. (2001). Automatic transcription of popular music audio. In Proceedings of the Fourth International Conference on Music Information Retrieval. link ↗ |
| 別名 | functional harmony analysis, harmonic progression detection, tonal function estimation | structural segmentation, music structure analysis, section boundary detection |
| 関連 | 5 | 5 |
| 概要≠ | Harmonic analysis is the computational study of chord progressions, harmonic function, and tonal relationships in music. Formalized for audio by Pardo and Birmingham (2002), it goes beyond simple chord identification to interpret harmonic role and structure. Harmonic analysis is essential for music theory education, compositional understanding, and music generation systems. It requires understanding both the chords themselves and their functional relationships within a tonal context. | Music segmentation is the task of dividing a musical recording into distinct structural sections (e.g., verse, chorus, bridge, pre-chorus, outro). Introduced by Goto (2001), it identifies major structural boundaries and labels sections according to musical form. Segmentation is essential for music understanding, audio editing, and composition analysis. It enables higher-level tasks like cover song identification and song structure-aware music generation. |
| ScholarGateデータセット ↗ |
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