قارن الطرق

	فصل الصوت الغنائي	النسخ الموسيقي الآلي	استخلاص اللحن	تجزئة الموسيقى
المجال	استرجاع المعلومات الموسيقية	استرجاع المعلومات الموسيقية	استرجاع المعلومات الموسيقية	استرجاع المعلومات الموسيقية
العائلة	Machine learning	Machine learning	Machine learning	Machine learning
سنة النشأة	2012	2008	2008	2001
صاحب الطريقة	Yonggang Han	Anssi Klapuri	Anssi Klapuri	Masataka Goto
النوع	Audio source separation	Polyphonic audio-to-symbolic conversion	Polyphonic audio analysis	Audio structural analysis
المصدر التأسيسي	Han, Y., Qin, Z., & Kang, Z. (2012). Singing voice separation using spectral floor filtered spectrograms. In Proceedings of the International Society for Music Information Retrieval Conference.	Klapuri, A. (2008). Automatic music transcription as we know it today. Journal of New Music Research, 33(3), 323-337.	Salamon, J., & Gómez, E. (2014). Melody extraction from polyphonic music signals using pitch contour characteristics. IEEE Transactions on Audio, Speech, and Language Processing, 20(6), 1759-1770.	Goto, M., & Hasegawa, Y. (2001). Automatic transcription of popular music audio. In Proceedings of the Fourth International Conference on Music Information Retrieval.
الأسماء البديلة	singing voice extraction, voice isolation, source demixing	music-to-notation conversion, score estimation, polyphonic transcription	pitch contour extraction, melodic line extraction, f0 tracking	structural segmentation, music structure analysis, section boundary detection
ذات صلة	5	5	5	5
الملخص	Vocal separation is the task of isolating the singing voice from a mixed music recording, leaving the instrumental accompaniment. Introduced formally by Han et al. (2012), it is critical for music editing, remixing, karaoke generation, and music analysis. Modern deep learning approaches (Défossez et al., 2021) have achieved impressive quality, enabling practical applications in music production and streaming services. Vocal separation is a special case of source separation, where the goal is to isolate the most perceptually salient source.	Automatic music transcription is the task of converting audio recordings into symbolic music notation (e.g., scores with note pitch, onset, and duration). Formalized as a research problem by Klapuri (2008), it represents one of the most challenging tasks in music information retrieval. Transcription enables music education, composition analysis, and digital preservation. Modern systems, particularly those using deep learning for piano music (Hawthorne et al., 2019), have achieved significant progress but remain far from perfect on general polyphonic music.	Melody extraction is the task of automatically isolating the main melodic contour from polyphonic music recordings. It originated from music transcription research in the 2000s and addresses the core challenge of human pitch perception: identifying the perceptually dominant pitch when many instruments play simultaneously. Modern approaches use deep learning and are essential for music analysis, cover song detection, and music-to-lyrics alignment.	Music segmentation is the task of dividing a musical recording into distinct structural sections (e.g., verse, chorus, bridge, pre-chorus, outro). Introduced by Goto (2001), it identifies major structural boundaries and labels sections according to musical form. Segmentation is essential for music understanding, audio editing, and composition analysis. It enables higher-level tasks like cover song identification and song structure-aware music generation.