เปรียบเทียบวิธี
ดูวิธีที่เลือกเทียบกันแบบเคียงข้าง แถวที่ต่างกันจะถูกเน้นไว้
| ประวัติศาสตร์บอกเล่าดิจิทัล× | ชาติพันธุ์วรรณนาดิจิทัล× | |
|---|---|---|
| สาขาวิชา | เชิงคุณภาพ | เชิงคุณภาพ |
| ตระกูล | Process / pipeline | Process / pipeline |
| ปีกำเนิด≠ | 1990s–2000s (systematic digital integration) | Late 1990s – 2000s |
| ผู้ริเริ่ม≠ | Oral history tradition (Allan Nevins, 1940s); digital adaptation by Michael Frisch and others from the 1990s onward | Christine Hine (virtual ethnography); Robert V. Kozinets (netnography) |
| ประเภท≠ | Qualitative research design with digital data collection and archiving | Qualitative research method |
| แหล่งต้นตำรับ≠ | Boyd, D., & Larson, M. (Eds.). (2014). Oral History and Digital Humanities: Voice, Access, and Engagement. Palgrave Macmillan. ISBN: 978-1137322678 | Kozinets, R. V. (2010). Netnography: Doing Ethnographic Research Online. Sage. ISBN: 978-1847875228 |
| ชื่อเรียกอื่น | digital oral history, DOH, digital oral narrative research, online oral history | online ethnography, virtual ethnography, internet ethnography, netnography |
| ที่เกี่ยวข้อง≠ | 5 | 6 |
| สรุป≠ | Digital Oral History is a qualitative research method that uses digital technologies — audio and video recorders, online platforms, and digital archives — to collect, preserve, and disseminate first-person oral accounts of lived experience. It extends the established oral history tradition by leveraging digital tools to enhance accessibility, reach geographically dispersed participants, and enable long-term preservation and public engagement with recorded narratives. | Digital ethnography is a qualitative research method that adapts traditional ethnographic fieldwork to online and digitally mediated settings. Drawing on sustained participant observation, document collection, and sometimes interviews, the researcher immerses themselves in one or more digital communities — social media platforms, forums, gaming spaces, or messaging groups — to understand how culture, identity, and social practice are constructed through digital interaction. The approach recognises that online spaces are not merely reflections of offline life but distinctive sites of cultural production in their own right. |
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