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| Biografsko istraživanje vizuelnom elikvitacijom× | Istraživanje životne istorije× | |
|---|---|---|
| Oblast | Kvalitativno | Kvalitativno |
| Porodica | Process / pipeline | Process / pipeline |
| Godina nastanka≠ | 1990s–2000s (synthesis of older traditions) | Early 20th century (Thomas & Znaniecki 1918–1920); systematised as interview method in the 1990s |
| Tvorac≠ | Douglas Harper (photo elicitation); Ken Plummer, Daniel Bertaux (biographical tradition); integrated by visual qualitative researchers in the 1990s–2000s | William I. Thomas and Florian Znaniecki (sociological tradition); Robert Atkinson (interview method) |
| Tip≠ | Qualitative research design | Qualitative research method |
| Temeljni izvor≠ | Harper, D. (2002). Talking about pictures: A case for photo elicitation. Visual Studies, 17(1), 13–26. DOI ↗ | Atkinson, R. (1998). The Life Story Interview. Sage. ISBN: 978-0761904496 |
| Drugi nazivi | photo-elicitation biography, visual biographical method, image-based life history research, VEBR | life history method, life-history interview, biographical research, personal narrative research |
| Srodne≠ | 4 | 6 |
| Sažetak≠ | Visual elicitation biographical research combines the life-history interview tradition with image-based elicitation techniques. Participants bring or choose photographs, drawings, personal objects, or other visual artefacts that represent moments and meanings in their lives. These visuals serve as prompts in extended biographical interviews, releasing richer, more emotionally grounded narratives than verbal questioning alone typically achieves. The method is used in education, health, migration studies, and other fields where lived experience over time is central. | Life history research is a qualitative method that captures the full arc of an individual's life — or a significant portion of it — through extended biographical interviewing and analysis of personal documents. Rooted in early Chicago School sociology, the method treats each life story as a window into broader social, cultural, and historical forces. The researcher and participant co-construct a narrative account that illuminates how personal experience is shaped by, and in turn shapes, wider social structures and processes. |
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