Sammenlign metoder
Gjennomgå de valgte metodene side om side; rader som avviker, er uthevet.
| Filmnarrativ analyse× | Auteurteori-analyse× | |
|---|---|---|
| Fagfelt | Medievitenskap | Medievitenskap |
| Familie | Process / pipeline | Process / pipeline |
| Opprinnelsesår≠ | 1980 | 1954 |
| Opphavsperson≠ | Gérard Genette, Mieke Bal | François Truffaut, Andrew Sarris |
| Type≠ | Analytical pipeline for deconstructing cinematic narrative structure | Critical framework for identifying and analyzing directorial style and authorship across films |
| Opprinnelig kilde≠ | Bal, M. (1997). Narratology: Introduction to the Theory of Narrative. University of Toronto Press. link ↗ | Sarris, A. (1962). Notes on the auteur theory in 1962. Film Culture, 27, 1-8. link ↗ |
| Alias≠ | narrative structure analysis, story analysis in cinema | auteur analysis, directorial analysis, author theory in film |
| Relaterte | 5 | 5 |
| Sammendrag≠ | Film Narrative Analysis is a qualitative method for examining how stories are told through cinematic techniques and structures. Developed from literary narratology and adapted for film studies by scholars like David Bordwell and Mieke Bal, it deconstructs the relationship between story (fabula), plot (sjuzhet), and narration to understand how meaning is created. This method is fundamental to film criticism and provides a systematic framework for analyzing how viewers construct narrative coherence from visual and audio elements. | Auteur Theory Analysis is a critical framework for studying cinema through the lens of directorial authorship, examining how individual directors express consistent themes, visual style, and ideological perspectives across multiple films. Developed by French critics of Cahiers du Cinéma (notably François Truffaut) and articulated in American film criticism by Andrew Sarris, the theory posits that despite the industrial, collaborative nature of film production, the director functions as the primary creative author whose distinctive sensibility can be traced through characteristic patterns of style, technique, and content. The method enables scholarly analysis of directorial influence on cinema and challenges the assumption that mass-produced films lack individual artistic vision. |
| ScholarGateDatasett ↗ |
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