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| デジタル解釈学的分析× | テクスト批評 ― 正統的なテクストの再構築と確立× | |
|---|---|---|
| 分野 | フィールド調査法 | フィールド調査法 |
| 系統 | Process / pipeline | Process / pipeline |
| 提唱年≠ | 2000s–2010s | Antiquity; modern systematic method c. 1850s (Lachmann) |
| 提唱者≠ | Extends classical hermeneutics (Schleiermacher, Dilthey, Gadamer, Ricoeur) into digital contexts; Roberto Simanowski and others in digital humanities | Classical philologists (Karl Lachmann foremost in systematic method) |
| 種類≠ | Qualitative interpretive research design | Humanistic / philological research method |
| 原典≠ | Simanowski, R. (2010). Digital Hermeneutics: Interpreting (with) the Machine. Journal of Visual Culture, 9(1), 84–106. link ↗ | West, M. L. (1973). Textual Criticism and Editorial Technique Applicable to Greek and Latin Texts. Teubner. ISBN: 978-3519074014 |
| 別名 | digital hermeneutics, computational hermeneutics, digital text interpretation, DHA | lower criticism, editorial criticism, philological criticism, manuscript criticism |
| 関連≠ | 6 | 5 |
| 概要≠ | Digital hermeneutic analysis applies the classical tradition of hermeneutic interpretation — rooted in Schleiermacher, Dilthey, Gadamer, and Ricoeur — to born-digital and digitised texts, online corpora, and digital artifacts. It asks not only what digital objects mean, but how digital mediation, platform architecture, and computational affordances shape the conditions of meaning itself. The method is prominent in digital humanities, digital history, and media studies. | Textual criticism is a systematic philological method for identifying, comparing, and evaluating variant readings across multiple manuscript or print witnesses of a text in order to reconstruct the most accurate version of the original — or the author's intended — text. Applied since antiquity to classical, biblical, and literary works, it remains the foundational editorial method in classical studies, biblical scholarship, medieval studies, and critical editing of literary works. |
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