手法を比較

	Comparative Method in Religion	Phenomenology of Religion
分野	Religious Studies	Religious Studies
系統	Process / pipeline	Process / pipeline
提唱年	1982	1957
提唱者	F. Max Müller (founder); reconceived by Jonathan Z. Smith	Gerardus van der Leeuw; Mircea Eliade; Rudolf Otto
種類	Cross-traditional comparative analysis	Interpretive-comparative descriptive method
原典	Smith, J. Z. (1982). Imagining Religion: From Babylon to Jonestown. Chicago: University of Chicago Press. ISBN: 9780226763606	Eliade, M. (1957/1959). The Sacred and the Profane: The Nature of Religion (trans. W. R. Trask). New York: Harcourt, Brace. ISBN: 9780156792011
別名	Comparative Religion, Cross-Cultural Comparison of Religions, Comparativism in Religious Studies, Science of Religion (Comparative)	Religious Phenomenology, Comparative Phenomenology of the Sacred, Eidetic Method in Religion, Study of Hierophanies
関連	3	3
概要	The comparative method in religion is the systematic comparison of two or more religious traditions to identify similarities, differences, and patterns, and through them to understand religion more broadly. Founded as a discipline by F. Max Müller in the nineteenth century - who borrowed Goethe's dictum that to know one religion is to know none - the comparative project was sharply rethought in the twentieth, above all by Jonathan Z. Smith. In Imagining Religion (1982) and later work, Smith insisted that comparison is not a natural perception of objective resemblance but a scholarly act: the comparativist must specify the respect in which things are being compared (the tertium comparationis), choose comparanda for a reason, and remain answerable for the differences as much as the similarities. The method thus combines disciplined juxtaposition with explicit theory about why and how a comparison is made.	Phenomenology of religion is an interpretive, comparative method that seeks to describe religious phenomena as they appear to believers and to discern their essential structures, while bracketing questions of whether the beliefs are true. Developed by scholars such as Gerardus van der Leeuw and Rudolf Otto and given its most influential expression by Mircea Eliade - notably in The Sacred and the Profane (1957) - it proceeds through epoché (the suspension of judgment about truth and causal explanation), empathetic description of the phenomenon from within, and eidetic vision, the search for the invariant essence behind diverse instances. Eliade's central concept is the hierophany, the manifestation of the sacred in the profane, and the method assembles such manifestations across traditions - sacred space, sacred time, symbols of the center - into a comparative typology of the forms in which the sacred reveals itself.