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| Etnografia Istituzionale con Elicitazione Visiva× | Etnografia× | |
|---|---|---|
| Campo | Qualitativo | Qualitativo |
| Famiglia | Process / pipeline | Process / pipeline |
| Anno di origine≠ | 2000s–2010s (integration period; IE roots ~1987, photo elicitation ~1967) | c. 1922 (Malinowski's Argonauts of the Western Pacific) |
| Ideatore≠ | Dorothy E. Smith (IE); Douglas Harper (photo elicitation); integration developed by feminist and critical ethnographers in the 2000s–2010s | Bronisław Malinowski (modern ethnography); rooted in 19th-century anthropology |
| Tipo≠ | Qualitative multimodal research design | Qualitative fieldwork tradition |
| Fonte seminale≠ | Smith, D. E. (2005). Institutional Ethnography: A Sociology for People. AltaMira Press. ISBN: 978-0759105010 | Hammersley, M. & Atkinson, P. (2019). Ethnography: Principles in Practice (4th ed.). Routledge. ISBN: 978-1138504462 |
| Alias | photo elicitation IE, visual IE, image-based institutional ethnography, visual data institutional ethnography | Etnografi, participant observation, fieldwork, ethnographic research |
| Correlati | 5 | 5 |
| Sintesi≠ | Visual elicitation institutional ethnography (IE) integrates photo or image elicitation techniques into Dorothy Smith's institutional ethnography framework. Participants produce or select photographs and other visual materials that represent their everyday experience within an institution; these images then anchor in-depth interviews that surface the ruling relations — texts, policies, and organizational discourses — that coordinate people's work and lives from outside their immediate standpoint. | Ethnography is a qualitative research tradition in which a researcher immerses themselves in a social group or community over an extended period — typically three to six months or longer — to study its culture, values, and behaviours in their natural setting. Originating in social and cultural anthropology, and consolidated as a rigorous method by Bronisław Malinowski in the early twentieth century, ethnography produces rich, contextualised accounts of how people live, work, and make meaning together. |
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