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| Digital Autoethnography× | Digitális etnográfia – Kultúrakutatás online környezetben× | |
|---|---|---|
| Tudományterület | Kvalitatív módszerek | Kvalitatív módszerek |
| Módszercsalád | Process / pipeline | Process / pipeline |
| Keletkezés éve≠ | 2000s–2010s | Late 1990s – 2000s |
| Megalkotó≠ | Annette Markham; expanded through netnography work by Robert Kozinets | Christine Hine (virtual ethnography); Robert V. Kozinets (netnography) |
| Típus≠ | Qualitative self-reflexive design | Qualitative research method |
| Alapmű≠ | Markham, A. N. (2013). Undermining 'data': A critical examination of a core term in scientific inquiry. First Monday, 18(10). link ↗ | Kozinets, R. V. (2010). Netnography: Doing Ethnographic Research Online. Sage. ISBN: 978-1847875228 |
| Alternatív nevek | online autoethnography, virtual autoethnography, digital self-ethnography, networked autoethnography | online ethnography, virtual ethnography, internet ethnography, netnography |
| Kapcsolódó≠ | 5 | 6 |
| Összefoglaló≠ | Digital autoethnography is a qualitative research design in which the researcher systematically examines their own lived experience within digital environments — social media platforms, online communities, gaming worlds, digital workplaces, or other networked spaces — to illuminate broader cultural and social phenomena. Combining autoethnography's first-person reflexivity with the study of digital life, it treats personal digital traces, interactions, and self-representations as primary data. | Digital ethnography is a qualitative research method that adapts traditional ethnographic fieldwork to online and digitally mediated settings. Drawing on sustained participant observation, document collection, and sometimes interviews, the researcher immerses themselves in one or more digital communities — social media platforms, forums, gaming spaces, or messaging groups — to understand how culture, identity, and social practice are constructed through digital interaction. The approach recognises that online spaces are not merely reflections of offline life but distinctive sites of cultural production in their own right. |
| ScholarGateAdatkészlet ↗ |
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