השוואת שיטות
סקרו את השיטות שבחרתם זו לצד זו; שורות שבהן יש הבדל מודגשות.
| Sociotechnical Imaginaries Analysis× | Controversy Mapping× | |
|---|---|---|
| תחום | Science Technology Studies | Science Technology Studies |
| משפחה | Process / pipeline | Process / pipeline |
| שנת המקור≠ | 2009 | 2010 |
| הוגה השיטה≠ | Sheila Jasanoff & Sang-Hyun Kim | Bruno Latour (Sciences Po médialab); codified by Tommaso Venturini |
| סוג≠ | Qualitative interpretive and comparative method | Qualitative descriptive method and pedagogy |
| מקור מכונן≠ | Jasanoff, S., & Kim, S.-H. (2009). Containing the atom: sociotechnical imaginaries and nuclear power in the United States and South Korea. Minerva, 47(2), 119-146. DOI ↗ | Venturini, T. (2010). Diving in magma: how to explore controversies with actor-network theory. Public Understanding of Science, 19(3), 258-273. DOI ↗ |
| כינויים | Sociotechnical imaginary analysis, Imaginaries of science and technology, Visions of desirable futures analysis | Cartography of controversies, Mapping scientific controversies, Controversy analysis |
| קשורות | 4 | 4 |
| תקציר≠ | Sociotechnical imaginaries analysis studies the collectively held, institutionally stabilised, and publicly performed visions of desirable futures that societies attach to science and technology. Introduced by Sheila Jasanoff and Sang-Hyun Kim in their 2009 comparison of nuclear power in the United States and South Korea, the concept treats imaginaries as more than rhetoric: they are co-produced with the material and political order, shaping how technologies are designed, governed, and lived. The method reconstructs these visions from public discourse, traces how they become embedded in institutions and policy, and compares how the same technology animates different imaginaries across nations or eras. | Controversy mapping is a descriptive method for exploring and representing socio-technical disputes while they are still open and unsettled, before they harden into accepted facts or stable technologies. Developed as a teaching practice by Bruno Latour and codified by Tommaso Venturini at the Sciences Po médialab, it asks the analyst to dive into the heat of a debate, follow the actors and their arguments without prematurely taking sides, and render the resulting complexity legible through maps and visualisations. It treats controversy not as a pathology to be resolved but as the privileged moment in which the social and the technical are visibly being assembled. |
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