Compara mètodes
Revisa els mètodes seleccionats l'un al costat de l'altre; les files que difereixen es ressalten.
| Script Analysis× | Actor-Network Theory Analysis× | |
|---|---|---|
| Camp | Science Technology Studies | Science Technology Studies |
| Família | Process / pipeline | Process / pipeline |
| Any d'origen≠ | 1992 | 1984 |
| Autor original≠ | Madeleine Akrich (with Bruno Latour) | Bruno Latour, Michel Callon, John Law |
| Tipus≠ | Material-semiotic analytic method for technological artefacts | Material-semiotic theory and analytic method |
| Font seminal≠ | Akrich, M. (1992). The de-scription of technical objects. In W. E. Bijker & J. Law (Eds.), Shaping Technology/Building Society (pp. 205-224). MIT Press. ISBN: 9780262023382 | Latour, B. (2005). Reassembling the Social: An Introduction to Actor-Network-Theory. Oxford University Press. ISBN: 9780199256051 |
| Àlies | De-scription analysis, Technological script analysis, Inscription analysis | ANT analysis, Sociology of translation, Actant-network mapping |
| Relacionats | 4 | 4 |
| Resum≠ | Script analysis, developed by Madeleine Akrich with Bruno Latour, treats technological artefacts like texts. When designers build a device, they inscribe a 'script' into it—a set of assumptions about who the users will be, what skills and motives they have, and how the world around the device is arranged—and the artefact then prescribes roles and conduct for the people and things it encounters. 'De-scription' is the analyst's method of reading that script back out of the object and comparing the user the designer projected with the user who actually appears, revealing the often invisible politics built into ordinary things. | Actor-Network Theory analysis treats society and technology as a single woven fabric, mapping how heterogeneous human and non-human actors—engineers, scallops, documents, machines, regulators—are linked into networks through a process of translation. Rather than explaining technical outcomes by appeal to pre-given social categories, ANT follows the actors themselves and describes how durable arrangements are assembled, stabilised, and sometimes undone. |
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