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Phân tích âm sắc×Thuật toán phát hiện cao độ×
Lĩnh vựcTruy hồi thông tin âm nhạcTruy hồi thông tin âm nhạc
HọMachine learningMachine learning
Năm ra đời19772002
Người khởi xướngJohn M. GreyAlain de Cheveigné
LoạiAcoustic feature extraction and analysisFundamental frequency estimation
Công trình gốcGrey, J. M. (1977). Multidimensional perceptual scaling of musical timbres. The Journal of the Acoustical Society of America, 61(5), 1270-1277. DOI ↗de Cheveigné, A., & Kawahara, H. (2002). YIN, a fundamental frequency estimator for speech and music. The Journal of the Acoustical Society of America, 111(4), 1917-1930. DOI ↗
Tên gọi kháctone color analysis, spectral characterization, timbre descriptor extractionf0 detection, fundamental frequency tracking, monophonic pitch extraction
Liên quan55
Tóm tắtTimbre analysis is the computational characterization and modeling of tone color—the perceived quality that distinguishes one instrument from another even at the same pitch and loudness. Pioneered by Grey (1977), timbre analysis extracts acoustic descriptors that characterize spectral shape, temporal dynamics, and harmonic content. It underlies instrument identification, music similarity assessment, and audio retrieval. Unlike melody and rhythm, timbre is high-dimensional and context-dependent, making it one of the most challenging aspects of music analysis.Pitch detection (or fundamental frequency estimation) is the task of automatically determining the perceived pitch of a monophonic (single-source) audio signal at each moment in time. Formalized by de Cheveigné and Kawahara (2002) through the YIN algorithm, it is foundational to music and speech processing. Pitch detection enables vocal analysis, music transcription, instrument tuning, and speech analysis. Monophonic pitch is unambiguous; polyphonic pitch detection is fundamentally harder and a distinct problem.
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ScholarGateSo sánh phương pháp: Timbre Analysis · Pitch Detection Algorithm. Truy cập ngày 2026-06-17 từ https://scholargate.app/vi/compare