So sánh phương pháp

	Phân tích ngữ nghĩa tham gia	Phân tích bán ký - Đọc các ký hiệu, biểu tượng và ý nghĩa văn hóa
Lĩnh vực	Định tính	Định tính
Họ	Process / pipeline	Process / pipeline
Năm ra đời	1990s–2000s (formalized integration)	Late 19th–early 20th century (Saussure ~1906–1911; Peirce ~1867–1914); systematic application in social research from the 1960s
Người khởi xướng	Draws on Peirce, Saussure, Barthes (semiotics) and Lewin, Fals Borda (participatory research); integrated form developed in social semiotics and PAR literature	Ferdinand de Saussure (structural semiology); Charles Sanders Peirce (semiotic triads); Roland Barthes (applied cultural semiotics)
Loại	Qualitative participatory analysis approach	Qualitative research method
Công trình gốc	Kress, G., & van Leeuwen, T. (2006). Reading Images: The Grammar of Visual Design (2nd ed.). Routledge. ISBN: 978-0415319153	Barthes, R. (1967). Elements of Semiology (trans. A. Lavers & C. Smith). Hill and Wang.
Tên gọi khác	PSA, community semiotic analysis, collaborative semiotic inquiry, participatory social semiotics	semiotics, sign analysis, structural semiotics, semiological analysis
Liên quan	4	6
Tóm tắt	Participatory Semiotic Analysis (PSA) is a qualitative method that invites community members or research participants to actively co-analyze the signs, symbols, images, and texts that shape their social world. Combining the interpretive rigour of semiotic theory with the democratic ethos of participatory action research, PSA treats participants not as passive informants but as co-analysts who bring insider knowledge to the decoding of culturally embedded meanings.	Semiotic analysis is a qualitative method for interpreting how signs — words, images, sounds, gestures, and objects — produce and communicate meaning within a cultural context. Drawing on the structural linguistics of Ferdinand de Saussure and the triadic sign theory of Charles Sanders Peirce, and popularised as a research tool by Roland Barthes, semiotics moves beyond surface denotation to expose the connotative and ideological meanings embedded in texts and visual culture.