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Domestication of Technology Analysis×Social Shaping of Technology×
AlanScience Technology StudiesScience Technology Studies
AileProcess / pipelineProcess / pipeline
Köken yılı19921985
KökenRoger Silverstone, Eric Hirsch, David MorleyDonald MacKenzie, Judy Wajcman, Robin Williams, David Edge
TürQualitative analytic framework in media and technology studiesAnalytic tradition and method in the sociology of technology
Seminal kaynakSilverstone, R., & Hirsch, E. (Eds.). (1992). Consuming Technologies: Media and Information in Domestic Spaces. Routledge. ISBN: 9780415067003MacKenzie, D., & Wajcman, J. (Eds.). (1999). The Social Shaping of Technology (2nd ed.). Open University Press. ISBN: 9780335199136
Diğer adlarDomestication theory, Domestication approach, Taming of technology analysisSST analysis, Social shaping approach, Shaping of technology framework
İlişkili44
ÖzetDomestication of technology analysis studies how people 'tame' new technologies—turning a strange, commercially loaded object into a familiar, taken-for-granted part of everyday life. Developed by Roger Silverstone and colleagues to understand media and information technologies in the home, it treats consumption not as a single moment of purchase but as an ongoing process through which artefacts are appropriated, given a place, woven into routines, and made to express identity. The household is analysed as a 'moral economy' that negotiates the meaning and use of every technology that crosses its threshold.The Social Shaping of Technology (SST) is the umbrella tradition in the sociology of technology that rejects technological determinism and argues that the content and trajectory of technical artefacts are themselves outcomes of social, economic, organisational, and political choices. Rather than treating technology as an autonomous force whose effects society must merely absorb, SST analysis opens the 'black box' of design and shows that at every stage—conception, development, standardisation, and use—things could have been, and were, decided otherwise.
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