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| Domestication of Technology Analysis× | Social Shaping of Technology× | |
|---|---|---|
| Ämnesområde | Science Technology Studies | Science Technology Studies |
| Familj | Process / pipeline | Process / pipeline |
| Ursprungsår≠ | 1992 | 1985 |
| Upphovsperson≠ | Roger Silverstone, Eric Hirsch, David Morley | Donald MacKenzie, Judy Wajcman, Robin Williams, David Edge |
| Typ≠ | Qualitative analytic framework in media and technology studies | Analytic tradition and method in the sociology of technology |
| Ursprungskälla≠ | Silverstone, R., & Hirsch, E. (Eds.). (1992). Consuming Technologies: Media and Information in Domestic Spaces. Routledge. ISBN: 9780415067003 | MacKenzie, D., & Wajcman, J. (Eds.). (1999). The Social Shaping of Technology (2nd ed.). Open University Press. ISBN: 9780335199136 |
| Alias | Domestication theory, Domestication approach, Taming of technology analysis | SST analysis, Social shaping approach, Shaping of technology framework |
| Närliggande | 4 | 4 |
| Sammanfattning≠ | Domestication of technology analysis studies how people 'tame' new technologies—turning a strange, commercially loaded object into a familiar, taken-for-granted part of everyday life. Developed by Roger Silverstone and colleagues to understand media and information technologies in the home, it treats consumption not as a single moment of purchase but as an ongoing process through which artefacts are appropriated, given a place, woven into routines, and made to express identity. The household is analysed as a 'moral economy' that negotiates the meaning and use of every technology that crosses its threshold. | The Social Shaping of Technology (SST) is the umbrella tradition in the sociology of technology that rejects technological determinism and argues that the content and trajectory of technical artefacts are themselves outcomes of social, economic, organisational, and political choices. Rather than treating technology as an autonomous force whose effects society must merely absorb, SST analysis opens the 'black box' of design and shows that at every stage—conception, development, standardisation, and use—things could have been, and were, decided otherwise. |
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