مقایسهٔ روشها
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| Social Shaping of Technology× | Social Construction of Technology× | |
|---|---|---|
| حوزه | Science Technology Studies | Science Technology Studies |
| خانواده | Process / pipeline | Process / pipeline |
| سال پیدایش≠ | 1985 | 1984 |
| پدیدآور≠ | Donald MacKenzie, Judy Wajcman, Robin Williams, David Edge | Trevor Pinch & Wiebe Bijker |
| نوع≠ | Analytic tradition and method in the sociology of technology | Constructivist theory of technological development |
| منبع بنیادین≠ | MacKenzie, D., & Wajcman, J. (Eds.). (1999). The Social Shaping of Technology (2nd ed.). Open University Press. ISBN: 9780335199136 | Pinch, T. J., & Bijker, W. E. (1984). The social construction of facts and artefacts: or how the sociology of science and the sociology of technology might benefit each other. Social Studies of Science, 14(3), 399-441. DOI ↗ |
| نامهای دیگر | SST analysis, Social shaping approach, Shaping of technology framework | SCOT, Social constructivism of technology, Interpretive flexibility analysis |
| مرتبط | 4 | 4 |
| خلاصه≠ | The Social Shaping of Technology (SST) is the umbrella tradition in the sociology of technology that rejects technological determinism and argues that the content and trajectory of technical artefacts are themselves outcomes of social, economic, organisational, and political choices. Rather than treating technology as an autonomous force whose effects society must merely absorb, SST analysis opens the 'black box' of design and shows that at every stage—conception, development, standardisation, and use—things could have been, and were, decided otherwise. | The Social Construction of Technology (SCOT) is a constructivist framework holding that technological artefacts are shaped by the interpretations and negotiations of relevant social groups rather than by technical logic alone. Introduced by Trevor Pinch and Wiebe Bijker in 1984, it shows that an artefact has 'interpretive flexibility'—different groups see different problems and solutions in it—until a process of closure stabilises one design as the obvious one. |
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