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Sport Fandom Autoethnography

Sport fandom autoethnography turns the researcher's own experience of being a fan into systematic qualitative inquiry, using the self as a window onto the culture of fandom. Drawing on the method Carolyn Ellis and Arthur Bochner developed and named, it joins three elements -- auto (the self), ethno (culture), and graphy (the writing process) -- so that personal stories of devotion, ritual, heartbreak, and belonging become evidence about how fandom works. The approach ranges from evocative autoethnography, which writes emotionally compelling scenes that let readers feel the fan's world, to more analytic forms that explicitly theorize the cultural patterns the stories reveal. Rather than surveying fans from the outside, the autoethnographer mines remembered epiphanies, match-day field notes, and personal artifacts to show, from within, what it means to live as a supporter.

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Kilder

  1. Ellis, C., & Bochner, A. P. (2000). Autoethnography, Personal Narrative, Reflexivity: Researcher as Subject. In N. K. Denzin & Y. S. Lincoln (Eds.), Handbook of Qualitative Research (2nd ed., pp. 733-768). Sage. ISBN: 9780761915126
  2. Ellis, C., Adams, T. E., & Bochner, A. P. (2011). Autoethnography: An Overview. Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, 12(1), Art. 10. DOI: 10.17169/fqs-12.1.1589

Sådan citerer du denne side

ScholarGate. (2026, June 23). Sport Fandom Autoethnography (Evocative and Analytic Self-Narrative of Being a Fan). ScholarGate. https://scholargate.app/da/sport-leisure-studies/sport-fandom-autoethnography

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ScholarGateSport Fandom Autoethnography (Sport Fandom Autoethnography (Evocative and Analytic Self-Narrative of Being a Fan)). Hentet 2026-06-25 fra https://scholargate.app/da/sport-leisure-studies/sport-fandom-autoethnography · Datasæt: https://doi.org/10.5281/zenodo.20539026