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| Material Culture Analysis× | Visual Anthropology× | |
|---|---|---|
| Obor | Anthropology | Anthropology |
| Rodina | Process / pipeline | Process / pipeline |
| Rok vzniku≠ | 2012 | 2001 |
| Tvůrce≠ | Material culture studies tradition (Ian Hodder; Appadurai/Kopytoff object-biography lineage) | Visual anthropology tradition (synthesized by Marcus Banks; ethnographic film lineage) |
| Typ≠ | Systematic study of objects as evidence about culture and social relations | Use and analysis of images as ethnographic data and representation |
| Původní zdroj≠ | Hodder, I. (2012). Entangled: An Archaeology of the Relationships between Humans and Things. Chichester: Wiley-Blackwell. ISBN: 9780470672129 | Banks, M. (2001). Visual Methods in Social Research. London: Sage. ISBN: 9780761963646 |
| Další názvy | Material Culture Studies, Object Analysis, Artefact Analysis, Anthropology of Things | Visual Ethnography, Ethnographic Film and Photography, Image-Based Anthropology, Anthropology of Visual Media |
| Příbuzné | 4 | 4 |
| Shrnutí≠ | Material culture analysis is the systematic study of physical objects and artefacts — tools, clothing, buildings, gifts, commodities, everyday possessions — as evidence about the people and societies that make, use, exchange, and discard them. It treats things not as inert backdrop but as active participants in social life, carrying meanings, structuring practices, and binding people into relationships. Drawing on object-biography thinking and on Ian Hodder's account of human–thing entanglement, it asks what an object's form, history, and circulation can reveal about culture that words alone cannot. | Visual anthropology is the use and analysis of photography, film, video, and other visual artefacts both as ethnographic evidence about a culture and as a means of representing anthropological knowledge. It encompasses images the researcher makes in the field, images that members of a community produce themselves, and images already circulating within a society, and it studies all of them as social objects with meanings and effects. As Marcus Banks frames it, every image carries an internal narrative — what it depicts — and an external narrative — the social relations of its making, circulation, and use — and visual anthropology attends to both. |
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