Porovnat metody
Prohlédněte si vybrané metody vedle sebe; řádky, které se liší, jsou zvýrazněny.
| Digitální semiotická analýza× | Analýza diskurzu× | |
|---|---|---|
| Obor≠ | Kvalitativní metody | Kvalitativní výzkum |
| Rodina | Process / pipeline | Process / pipeline |
| Rok vzniku≠ | Classical semiotics early 20th century; digital adaptation from the 1990s onward | 1989 (Fairclough); 1987 (Potter & Wetherell) |
| Tvůrce≠ | Rooted in Ferdinand de Saussure and Charles S. Peirce; digital applications developed by scholars such as David Chandler and Gunther Kress | Norman Fairclough; Jonathan Potter and Margaret Wetherell |
| Typ≠ | Qualitative interpretive analysis | Method |
| Původní zdroj≠ | Chandler, D. (2007). Semiotics: The Basics (2nd ed.). Routledge. ISBN: 978-0415363969 | Fairclough, N. (1989). Language and power. Longman. link ↗ |
| Další názvy≠ | DSA, digital semiotics, online semiotic analysis, digital sign analysis | DA, Critical Discourse Analysis, Discursive Analysis |
| Příbuzné≠ | 5 | 2 |
| Shrnutí≠ | Digital Semiotic Analysis applies the classical study of signs and meaning-making to content produced and circulated in digital environments. It examines how signifiers — words, images, icons, sounds, emojis, hyperlinks, and interface conventions — create meaning within digital texts such as websites, social media posts, memes, and online advertisements. The method draws on Saussurean dyadic semiotics and Peircean triadic semiotics, extended by Roland Barthes's connotation and myth framework and by contemporary multimodal semiotic theory developed for screen-based media. | Discourse analysis is a qualitative research methodology that examines how language, communication, and power shape meaning, identity, and social reality. Developed across linguistics, sociology, and psychology (particularly by Norman Fairclough and Jonathan Potter), discourse analysis goes beyond content to analyze language use as a social practice that constitutes and reflects power relations, ideologies, and social structures. |
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