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| Co-Production Analysis× | Social Construction of Technology× | |
|---|---|---|
| المجال | Science Technology Studies | Science Technology Studies |
| العائلة | Process / pipeline | Process / pipeline |
| سنة النشأة≠ | 2004 | 1984 |
| صاحب الطريقة≠ | Sheila Jasanoff | Trevor Pinch & Wiebe Bijker |
| النوع≠ | Interpretive analytic framework (idiom) in science and technology studies | Constructivist theory of technological development |
| المصدر التأسيسي≠ | Jasanoff, S. (Ed.). (2004). States of Knowledge: The Co-Production of Science and Social Order. Routledge. ISBN: 9780415403290 | Pinch, T. J., & Bijker, W. E. (1984). The social construction of facts and artefacts: or how the sociology of science and the sociology of technology might benefit each other. Social Studies of Science, 14(3), 399-441. DOI ↗ |
| الأسماء البديلة | Co-production idiom, Co-productionist analysis, Knowledge and social order analysis | SCOT, Social constructivism of technology, Interpretive flexibility analysis |
| ذات صلة | 4 | 4 |
| الملخص≠ | Co-production analysis applies the 'idiom of co-production' developed by Sheila Jasanoff: the claim that the ways we know the world are inseparable from the ways we choose to live in it. Scientific knowledge and social order are not produced in separate spheres that later interact; they are produced together. Co-production analysis traces this simultaneous making of natural and social facts—how a new way of knowing nature is bound up with new identities, institutions, discourses, and representations that together stabilise both knowledge and political order. | The Social Construction of Technology (SCOT) is a constructivist framework holding that technological artefacts are shaped by the interpretations and negotiations of relevant social groups rather than by technical logic alone. Introduced by Trevor Pinch and Wiebe Bijker in 1984, it shows that an artefact has 'interpretive flexibility'—different groups see different problems and solutions in it—until a process of closure stabilises one design as the obvious one. |
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