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| Co-Production Analysis× | Actor-Network Theory Analysis× | |
|---|---|---|
| Πεδίο | Science Technology Studies | Science Technology Studies |
| Οικογένεια | Process / pipeline | Process / pipeline |
| Έτος προέλευσης≠ | 2004 | 1984 |
| Δημιουργός≠ | Sheila Jasanoff | Bruno Latour, Michel Callon, John Law |
| Τύπος≠ | Interpretive analytic framework (idiom) in science and technology studies | Material-semiotic theory and analytic method |
| Θεμελιώδης πηγή≠ | Jasanoff, S. (Ed.). (2004). States of Knowledge: The Co-Production of Science and Social Order. Routledge. ISBN: 9780415403290 | Latour, B. (2005). Reassembling the Social: An Introduction to Actor-Network-Theory. Oxford University Press. ISBN: 9780199256051 |
| Εναλλακτικές ονομασίες | Co-production idiom, Co-productionist analysis, Knowledge and social order analysis | ANT analysis, Sociology of translation, Actant-network mapping |
| Συναφείς | 4 | 4 |
| Σύνοψη≠ | Co-production analysis applies the 'idiom of co-production' developed by Sheila Jasanoff: the claim that the ways we know the world are inseparable from the ways we choose to live in it. Scientific knowledge and social order are not produced in separate spheres that later interact; they are produced together. Co-production analysis traces this simultaneous making of natural and social facts—how a new way of knowing nature is bound up with new identities, institutions, discourses, and representations that together stabilise both knowledge and political order. | Actor-Network Theory analysis treats society and technology as a single woven fabric, mapping how heterogeneous human and non-human actors—engineers, scallops, documents, machines, regulators—are linked into networks through a process of translation. Rather than explaining technical outcomes by appeal to pre-given social categories, ANT follows the actors themselves and describes how durable arrangements are assembled, stabilised, and sometimes undone. |
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